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Works_
Exhibition
Images
:: Musée de Pont-Aven, France
:: Museo de Bellas Artes, Bilbao, Spain
:: V&A Dundee, UK
:: Musée Carnavalet, Paris, France
:: SF MOMA, Sans Francisco, USA
:: C/O Berlin, Germany
:: Les Rencontres d’Arles, France
:: and more...
Going Nowhere
:: Carte Blanche from Photo Elysée Museum, Lausanne with the support of Leenaards Foundation.
Coming soon
Paris Paris Paris
:: Following Photo Opportunities, Corinne Vionnet turned her attention to the abundance of images on the internet, focusing her work on the city of Paris.
Been There
:: 11 meter long installation for the Pont-Aven Museum. Ongoing project with other images and installations.
Monuments
::1000 images of Monument Valley - work done at the occasion of the solo show at the Pont-Aven Museum. Ongoing project with other images and installations.
Scenic Views
:: Following the series Photo Opportunities, Scenic Views is oriented towards American Landscapes topics
ME. Here Now
:: The advent of smartphones has conditioned new reflexes and created a new, unsettling gestural vocabulary that evokes a near-mystical posture.
Almost There
:: In Almost There, Corinne Vionnet chose to focus on online pictures taken in Bilbao, souvenirs of Frank Gehry’s Guggenheim, Jeff Koons’ Puppy, Louise Bourgeois’ Spider.
Ciels
:: Insistent and persistent presence of a sky. Skies that are different and the same for each of us. Multiple skies, multiples of skies.
First work from the series Transmissions.
Souvenirs d’un glacier
:: The gradual melting of the ice, the accelerated "retreat" of the glacier through a collection of postcards
Automated Matterhorn
:: Webcam images of the Matterhorn, which is hidden by clouds but visible as embedded in the sensor
Impression(s), Soleil Levant
:: Selection of 94 images found on the Internet referring to "Impression, Sunrise", by Claude Monet
(video installtion and print)
Away
:: This series highlights the discrepancies between the realities of mass tourism and the dream holidays that tour-operators seek to sell us, while questioning the power of advertising images on our souvenirs and collective memory.
The Fall
:: This Computer-generated imagery waterfall — slow, relentless, untouchable — embodies a world built on artificial abundance, its inevitable decline mirroring our own slow, inescapable fall.
